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The representatives of the Arts Partners were introduced, and each in turn presented the work done by their respective organisations.
Anthony Roberts, Director at Colchester Arts Centre, covered the recent highlights of the Arts Centre, including the Blur gig in 2023, which was the biggest event ever held by the venue. Tickets had sold out in four seconds and the event had brought civic pride to the venue and City. Attendees had come from across Europe. Other high-profile events had been a Sixth Form College ‘Battle of the Bands’, and performances by acts such as ‘Butterfly Handshake.’
The Council’s funding to the Arts Centre was described, and the use of this to leverage additional funding. For every £1 of Council funding, a further £20.26 additional funding and income had been gained. The key areas of income were from ticket sales, bar trade, bookings for events, and Arts Council England. 356 shows had been performed in the last year, and the comparisons between the funding agreements and actual performance were shown. ‘Pay what you can afford’ events were held to ensure that those on lower incomes were not excluded.
A description was given of collaborative work betwixt the Arts Centre and First Site, which had attracted a wide range of artists. The Director stressed the importance of providing a space and content for older people, as well as the young. Friday afternoon events were run to appeal to older audiences.
A digital programme provided weekly content to the 795 subscribers. 46,000 ticket purchases had been recorded, which did not include those sold for third-party events, with around half of audience members coming from outside of Colchester. Of attendees from Colchester, around 40% came from the two lowest-income demographics, although it was noted that multiple ticket purchases by the same individuals were all counted as separate logs in the statistics compiled.
The Lawrence Walker Gallery and Greenstead Community Centre were noted as venues for additional events and exhibitions, including ballroom dancing. A touring show had also visited a range of venues, with 42 shows around the Colchester area.
Upgraded facilities had been installed at the Arts Centre, and the Director picked out highlights of the Centre’s work with youth groups and groups representing and made up of vulnerable members of society.
Steve Mannix, Executive Director of the Mercury Theatre, provided a presentation on the Theatre’s work during 2022-23. Creative industries in the UK had grown by 12 percent between 2021-22 and 2022-23, even after the effects of the Pandemic and the high rates of inflation. Increased costs of materials and salaries had increased the Mercury’s costs by £80,000.
Challenges were noted, which had led to a lower filling of capacity than in the 2021-22, achieving around 60-65 percent capacity. Events and tours were still conducted, and around 38,000 people had attended unticketed events on top of ticketed events, including events held in cooperation with First Site and the Arts Centre.
The Creative Engagement Project was described, which had involved around 36,000 children and adults, including youth and seniors in activities. This had been the final year of the Project at the Mercury, which had been funded by the European Union. 116 new creative businesses had been formed as a result of the Programme. New funding arrangements now meant that the Project could continue for the next three years.
The Mercury Rising Project had been completed, albeit ten-months behind original schedule. Thanks were given to Council officers who had helped to achieve a good sustainability score, which was in the top 25 percent of new builds in the UK. There was now a lack of space in the building, so a second-storey extension was being proposed.
The programme of civic activities which had been run was outlined, including for the mourning of Her Majesty, the late Queen Elizabeth, and the coronation of King Charles II.
Highlights included a Derren Brown show, the Mercury’s first West End transfer. The StageText service, which provided captioning, was now headquartered at the Mercury, and supported disabled, deaf and neurodivergent people.
Plans for 2024-25 were briefly outlined, and the money invested by the Council and Essex County Council was underlined in being crucial. The Mercury employed 143 staff and generated £5.4m turnover. The cost to the taxpayer of the Council funding was given as 87p per Colcestrian taxpayer per year. 80 percent of the Theatre’s income came from tickets and sales, with every £1 of funding generating £4, and audiences spending millions in the wider Colchester economy. The Mercury itself had spent £10.6m in the local area.
Sally Shaw, Director of First Site, described the exhibitions staged over the past year, including the ‘Big Women’ exhibition, curated by Sarah Lucas and featuring the work of 25 artists. This generated significant income for Colchester and Sarah Lucas also provided a personal donation to First Site. First Site was now one of the few galleries in the UK to be able to still deliver a full programme of exhibitions. 110 events had been held in the previous year, with 440 completed in this current year, with a focus on evening opening hours and collaborative events. Ticket sales for events were strong. Workshops and art classes were tailored to respond to audience demand, and were starting to generate a profit.
The target of 124,000 visitors were set to be met. The success came partly due to the success of new ideas and later opening hours. Galleries used to close at 5pm, which excluded those who worked full-time days. An increase in visits by the working population had been recorded, with a drop in the average age of visitors. A new membership scheme went live in November 2023, offering free entry to the cinema, and significant discounts in the venue. Greater use of the cinema led to more visits to the gallery and café.
Governance arrangements, under the venue’s Board, were outlined. A tough decision had been taken to restructure, following the increase of electricity costs from £70,000 per year to £580,000 per year. An issue had also been identified, with the success rate of achieving funding from trusts and foundations dropping from 80% to 10%. Feedback was being analysed in order to discern the reasons for this. A new team was working to generate funding outside of these usual funding streams. First Site was examining the transferable impacts from the arts and creative sector.
The Director informed the Panel that she had recently been appointed as the Arts Council England Chair for the South-East Region. This helped First Site gain further information from across the wider Arts Council England organisation. Work on diversity, including LGBTIQA+ representation and groups, showed the venue to be performing above the UK’s national average. Health and wellbeing work was proceeding with The University of Essex.
The lighting programme to replace all bulbs with LED lights was nearing completion, and was a key way to reduce electricity costs and as an environmentally friendly measure.
The Panel discussed the presentations which had been given. The representatives were asked what work was being done to cross-fertilise activity across the artistic and creative sector. The Director of First Site described a project which had been carried out in Clacton, which had now ceased due to lack of funding, and the intent to do more in the future, if possible. All organisations were seeking to work more closely with each other, to survive the perilous climate. The Director of the Arts Centre expressed interest in using the High Street for events, and looking at how communities could work to make use of assets. A suggestion made was to seek to use the old Marks and Spencer premises to host a community space, with an Arts Centre pop up. Whilst much shopping was now done online, live experiences with the arts could not be done online, such as live music, seeing paintings, attending the theatre. The Arts Centre premises on Priory Walk had improved diversity of participants, activities and life experiences.
The Panel raised the importance of supporting and engaging young people, with curriculums being squeezed, especially around the arts. A Panel member praised the disability access at the Mercury Theatre and asked if the Arts Centre was looking to improve their access and offer disability access tickets. The Director of the Arts Centre explained that the Centre now offered the option for ticket buyers to request an access host, with options to help. The worst situation was for wheelchair users at standing gigs, but the situation was not so difficult at other types of events and performances. Councillor Michelle Burrows, Portfolio Holder for Leisure, Culture and Heritage, added that the Arts Centre had run a focus group to look at improving access for disabled audience members and wheelchair users. The Centre had been very responsive to the group and had brought in access host options, which offered a host to talk through access issues prior to an event, and then assist the audience member at the event itself. Early entry was also offered for those who needed assistance. The Executive Director of the Mercury Hotel informed the Panel that he sat on the board for the national scheme to improve support and access options for disabled and neurodivergent people.
The Panel noted that the Mercury’s target for recruiting women was at 70 percent, with one member asking if there was currently a deficit in this area and, if so, whether this was in particular parts of the organisation, such as the craft and construction areas. The Executive Director noted that their Deputy Workshop Manager was a woman, and the Theatre was trying to address the deficit in such areas by using apprenticeship schemes, highlighting backstage roles to improve diversity, working with the local and national BBC.
The Director of the Arts Centre was asked if there were more opportunities for the church yard there to be open for use, and explained that this was run by the Council and had been closed due to antisocial behaviour issues, with one group in particular causing trouble, with drug use being noted. This space had been used for displays in the past, but could be seen to be a nice thing as a space to which humans did not use.
In answer t questioning, the Director of First Site explained that the removal of the onsite shop from the front of the venue was a temporary measure to allow the progression of light replacement. The shop would return to that location, and funding had been sourced for a pop up café at the front of the venue, in addition to the existing café.
The guests were asked for more information on what was being done to ensure workforce diversity. The Executive Director of the Mercury expressed confidence that the Theatre’s diversity targets would all be surpassed. The Director of the Arts Centre highlighted the appointment of Vijay Patel to lead on diversity matters, and their work. The Director of First Site described the changes in their creative team, where diversity had been difficult to improve. The overall workforce at the venue was around 75 percent women, with good representation on the Board of Directors. There had been challenges in getting global diversity and disability/neurodivergent representation on the creative team. Examples were given of the work done to try to improve accessibility for neurodiverse people, including language used, colours and design. This had been led by a neurodivergent person hired specifically to do this, following them visiting and giving suggestions for improvements. The Executive Director of the Mercury underlined the continuous nature of improving diversity, equality and inclusion. The Theatre had increased the number of accessible performances held at the venue. Regarding diversity in income demographics, the cost and availability of transport were given as major issues. Ways to ensure transport options were being looked into. The Director of the Arts Centre underlined the gender issue in the music industry, where almost all tour managers, engineers and technical staff were men, and the experiences of the Centre’s Production Manager, who was a woman, and the sexist behaviour she had experienced from touring act staff. The Panel were told that all needed to challenge such prejudice.
A Panel member noted the successes of the three organisations, but also the huge challenge of escalating energy costs. The guests were asked whether an appropriate funding balance had been set, given the need for the Council to save money. The Executive Director of the Mercury emphasised that the funding was an investment, and allowed Essex County Council and Arts Council England to authorise further funding to the venues. Council funding was key to leveraging further funding at local and national levels. The argument was further made that a reduction in Council funding, and the mothballing of sites providing artistic and creative content would cost the Council more in the long term.
The Executive Director was asked if he felt the funding balance was fair, given the Council’s intended budgeting for the Leisure World North site on Colchester Sports Park, and stated that he had no objection to the Northern Gateway development site, as residents should be given a choice. There were opportunities for shared services, promotions and retail. The director of First Site called for thinking about new creative partnerships to increase uptake of all activities, including sports. The Director of the Arts Centre agreed, positing that sport was creative, just in a different way.
The Chair summarised that the Scrutiny Panel was seeking to ascertain whether the Council was getting value for money from the funding it provided. The creative sector was key in making Colchester a vibrant, special place, and to generate income and employment. The work of the arts organisations was praised.
RESOLVED that the SCRUTINY PANEL considers that the arts organisations in receipt of Council funding are succeeding and adding to the local economy, but notes the challenge of high energy costs which imperil the organisations, and the potential need to review the funding provided in order to reflect these costs and enable the organisations to continue their positive work.